With over 8,000 artworks from Singapore, the region, India and China, the NUS Museum collection forms an important resource for the University. The origins of NUS Museum can be traced to the formation of its predecessor institution, the University of Malaya, in 1955. Augmented by the Lee Kong Chian Collection of Chinese Art from the Nanyang University, the NUS Museum collection reflects the post-colonial political context around Malaya and Singapore, and its cultural development. A significant donation of Ng Eng Teng\'s personal archive and collection from 1998-2000 is reflective of the years of nation building and development. A Straits Chinese collection was begun in 2005 with the donation from the late Ms Agnes Tan Kim Lwi to the University, which allowed the University to acquire a historic townhouse at 157 Neil Road (today the NUS Baba House).
The Collections form the foundation of the work of NUS Museum. As part of the objectives of the organisational transformation of the NUS Museum, attention is given to digitization and digitalization, improving access and discoverability of the collection in order that research, teaching and learning innovations may take place.
The work of creating and improving digital access will need to be undertaken alongside ongoing collection development, in order that there be wholistic understanding and continuity in the process of Collections Management, from rationalizing the justifications of acquisitions and understanding how they belong in the Museum, paying attention to the care and conservation of objects, towards the end of digital presentation of the identity of the Museum and its collection. Governance matters pertaining to administrative processes and the documentation of collections is fundamental to the role of the Manager (Collections and Conservation).
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